| 249 - 255 |
Sky blue, but what blue? A new evaluation of the colors of the sky for artists and designers
Smith K |
| 256 - 266 |
Observation of visual texture of metallic and pearlescent materials
Kirchner E, van den Kieboom GJ, Njo L, Super R, Gottenbos R |
| 267 - 277 |
Global color impressions of multicolored textured patterns with equal unique hue elements
Sunaga S, Yamashita Y |
| 278 - 283 |
A shade guide model based on the color distribution of natural teeth
Cho BH, Lee YK |
| 284 - 292 |
Sensor-response-ratio constancy under changes in natural and artificial illuminants
Romero J, Partal D, Nieves JL, Hernandez-Andres J |
| 293 - 303 |
Comparison of methods of parameric correction for evaluating metamerism
Li ZJ, Berns RS |
| 304 - 309 |
Colour displays for categorical images
Glasbey C, van der Heijden G, Toh VFK, Gray A |
| 310 - 319 |
Accurate display gamma functions based on human observation
Neumann A, Artusi A, Neumann L, Zotti G, Purgathofer W |
| 320 - 331 |
Color changes in architectural limestones from pollution and cleaning
Grossi CM, Brimblecombe P, Esbert RM, Alonso FJ |
| 332 - 333 |
Ancient historical scripture and color vision
Vimal RLP, Pandey-Vimal MUC |
| 333 - 334 |
Corresponding colors as complementary sets: Corollary to Grassman's laws
Pridmore R |
| 334 - 335 |
Let's call it "color-gamut rendering"
Berns RS |
