Color Research and Application

Color Research and Application, Vol.41, No.3 Entire volume, number list

ISSN: 0361-2317 (Print)

In this Issue (21 articles)

221 - 225	Natural yellow and red Fe-based geomaterials from the Lessini mountains in Veneto, Italy: A review Cavallo G, Riccardi MP, Zorzin R
226 - 231	Yellow pigments based on lead, tin, and antimony: Ancient recipes, synthesis, characterization, and hue choice in artworks Agresti G, Baraldi P, Pelosi C, Santamaria U
232 - 240	Decorative surface finishes: Bronzing, patina-antiqua, verd-antique in NY furniture 1810-1830: New York workshops practices 1810-1830 Patris P
241 - 245	The colour of the granite that built the city of SAo Paulo, Brazil Del Lama EA, Dehira LK, Grossi D, Kuzmickas L
246 - 251	19th c. Coloured stuccos and plasters from Grilos' Church (Oporto, Portugal): Materials and techniques employed Salavessa E, Candeias A, Mirao J, Sousa LMO, Duarte N, Jalali S, Salgueiro J
252 - 257	Jose de Escovar at the Chapel of the Souls: Technical and material study of a 1603 panel painting Gil M, Pereira C, Relvas C, Nunes M, Pessanha S, Cardoso A, Antunes V, Monteiro P, Ferreira T
258 - 262	An unusual mural paintings at the charola of the convent of tomar: Red lakes and organic binders Manhita A, Martins S, Dias CB, Cardoso A, Candeias A, Gil M
263 - 269	Multi-analytical approach to the material characterization of 16th century wall paintings from Ribeira Sacra (Galicia, NW Spain): Pictorial palette, technique and alterations Pereira-Pardo L, Gil M, Prieto B, Silva B
270 - 275	Blue pigments in blue and purple painting layers of Gdasks' paintings of the mid-16th to the end of the 18th century Szmelter-Fausek B, Olszewska-Swietlik J
276 - 282	Tracking old and new colours: Material study of 16th century mural paintings from Evora Cathedral (Southern Portugal) Helvaci YZ, Dias L, Manhita A, Martins S, Cardoso A, Candeias A, Gil M
283 - 288	Identification and removal of nonoriginal layers in the 16th century paintings of funchal's Cathedral altarpiece Gomes S, Ferreira C, Nascimento G, Piorro L, Cardoso A, Candeias A, Lorena M
289 - 293	Pre-hispanic pigments and Italian renaissance designs at Spanish colonial missions churches in Northern Mexico Munoz-Alcocer K, Fuster-Lopez L, Pizarro-Medina A, Picollo M, Bartolozzi G
294 - 298	Darkening on lead-based pigments: Microbiological contribution Rosado T, Gil M, Mirao J, Candeias A, Caldeira AT
299 - 301	Enzymatic degradation of fungal pigmentation from wall painting's isolates Marco A, Moreira PR, Pintado M, Vieira E
302 - 307	Material identification of three French medieval illuminations of the XVIth century by hyperspectral imaging (Treasury of Bordeaux Cathedral, France) Mounier A, Denoel C, Daniel F
308 - 312	The use of hyperspectral imaging technique to detect the most suitable graffiti-cleaning procedure Pozo-Antonio JS, Ramil A, Fiorucci MP, Lopez AJ, Rivas T
313 - 316	Color-based automatic detection of worn out varnishes on Stradivari's "Scotland University" violin back plate Dondi P, Lombardi L, Malagodi M, Licchelli M, Cacciatori F
317 - 320	Preliminary investigation of various old geomaterials treated with hydrophobic pellicle Pelin V, Sandu I, Gurlui S, Branzila M, Vasilache V, Bors E, Sandu IG
321 - 324	Noninvasive in situ study of pigments in artworks by means of VIS, IRFC image analysis, and X-ray fluorescence spectrometry Barbu OH, Zahariade A
325 - 329	A new online tool to detect color misconceptions Correa FLN, Borreguero GM, Rodriguez ALP, Lopez MIS, Fernandez PJP
330 - 332	Development of hyperrealistic simulations to teach concepts about colors Borreguero GM, Correa FLN, Rodriguez ALP, Lopez MIS